As part of the exhibition design for Action Office Was Meant to be About Movement, there were four hidden altars which sat behind the curved wall of the main installation, invisible to the viewer. Each of the hidden altars corresponded with four different colors. Artists who also engaged in a spiritual practice were invited to offer an item for one of the four colors that resonated with them most. The altars were not visible during the run of the exhibition, instead their presence was disclosed via a publication that came out the last day of the exhibition. The altars were meant to bring an additional dimension to the piece, as a way to influence and guide viewership and resonance beyond aesthetic, visual form.

Seen from above, a small altar holding some small printed objects, stones, and feathers, sits affixed to a white wall in the space between a high curved wooden wall and the angular corner of a room. The room in front of the curved wall holds a metal partition structure, a white table, and headphones, and the altar behind the wall is not visible from in front of the wall.

Four images of altars affixed to white walls, comprised of various objects and arranged loosely by color.  In the top left frame: a black book wrapped in cloth, a black carved stone, a black gem, a colored photo of a river baptism, a tracing of a gravestone, a feather earring.  In the top right frame: a Kit Kat bar, a mason jar, a red ribbon, red dust in a plastic bag, red stones, a beaded chicken ornament, a glass container of red liquid.  In the bottom left frame: two feathers, a glass container of blue liquid, a blue marbled stone, a purple marbled stone, two train tickets. In the bottom right frame: a white corked vial, white earrings, a grey stone, a small white box, a translucent sad face ornament, a rectangular black and white photo of a porthole.

Hidden Altars